All’s Well That Ends Well, Chicago Shakespeare Theater, closing 5/29/22. MALLORY METOXEN (MFA, Directing, ’22) is the Assistant Director. KATRINA HERRMANN (BFA, Stage Management, ’05) is the Stage Manager.
How the Hell Did I Get Here?, Greenhouse Theatre Center, closing 4/3/22. ERIN KRAFT (MFA, Directing, ’17) is the Associate Director.
Slow Food, Third Avenue PlayWorks, closing 6/5/22. JACOB JANSSEN (MFA, Directing, ’18) is the director. ALYSSA MOHN (BFA, Scene Design, ’19) is the scenic designer. KYLE CUNNINGHAM (BFA, Lighting Design, ’20) is the lighting designer.
Upon This Shore, Idle Muse Theatre Company, closing 4/3/22. EVAN JACKSON (MFA, Directing, ’03) is the director.
Mark Fleischer (MFA, Directing, ’07) has been promoted to Executive Producer of Pittsburgh CLO after being recruited in 2014 to launch the theatre’s new works initiative. Pittsburgh CLO has been a driving force behind the preservation, creation and promotion of live musical theater since 1946 and is one of the largest regional musical theatre organizations […]
Partners: a 21st century love story, Marietta’s Theatre in the Square, now streaming. EMIL THOMAS (MFA, Directing, ’22) is the playwright and director.
The Curious Experience, an online interactive experience for the nueroatypical community, is now live. BEN RAANAN. (MFA, Directing, ’20) is the director and creator. The cast and crew are comprised of current TTS students.
Boxed In, a multimedia thriller podcast, online now. STEPHANIE LEBOLT (MFA, Directing, ’21) directs. CONNOR EMIR BRADSHAW (BFA, Playwrighting, ’20) is the playwright. The cast and crew are comprised of current TTS students. Check it out here.
Teenage Dick, Theater Wit, remote viewing extended through 5/3/2020. BRIAN BALCOM (MFA, Directing, ’16) directs. SARAH PRICE (BFA, Acting, ’12) is in the cast.
American Theatre features MADIE DOPPELT (BFA, Playwrighting, ’20), LISA PORTES (Faculty) and REBECCA WILLINGHAM (MFA, Directing, ’22) in discussion of how Zoom will revolutionize today’s college theatre programs. “Portes remains confident that the theatre community will pull through. “The good news is that we’re creative,” she says. “We’re a creative field that is built on people collaborating together to figure […]